Showing posts with label Watercolour. Show all posts
Showing posts with label Watercolour. Show all posts

Wednesday, August 15, 2007

Wilpena Golden Glow

WilpenaUnframed: 280mm x 410mm

Watercolour has wonderful transparency qualities with a mind of its own for the inexperienced artist.

Watercolour isn't one of my strongest mediums to work with but chuffed how this painting turned out when painting it in and around my jobs over the last few days; in fact the flow of paint helped relieve a lot of stress rather than add to it. biggrin

The countdown is well and truly on now before my husband and I leave for our holiday..... two more sleeps then we meet up with two other families with their caravans in tow. Hopefully I will be all packed in time to head down that road with our own caravan in tow. (for some overseas readers the link will explain what type of caravan I am talking about razz )



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Friday, January 05, 2007

Are you in Shock?

Hope you like the lighter background on this blog without going into shock as the black was bothering me that it may cause problems for visitors to read so much text on such a dark coloured design, especially when some of my posts are for the most part now around 250 words, sometimes more. If you are considering changing the colours of your website or blog this website Mandarin Design has examples of web safe colours. The one I am using is snow # FFFAFA.

Before I made my changes I did post a question about it on WetCanvas with the title Black or White blog background? . As you can see it is neither black nor white. A girl can change her mind can’t she! wink I do thank the WetCanvas members for helping me to come to a decision. The New Blogger also makes it easy to change the colours of my blog so be prepared, you might see an over the top coloured version down the track.

A change of subject now. This watercolour painting is one that was promised some time ago that would be posted here on my Arts & Stuff blog. I completely forgot all about it until I spied it in my drawer for my art paper. I don’t consider myself a watercolourist because I haven’t had much experience using a watercolour medium. It is rather fun to see what evolves when working with such an unpredictable paint and admit to being a bit surprised that the end result isn’t always a complete loss. Even though some of the trees have been left out because the area is so dense in this part of the creek at Wilpena Pound, the likeness is still there that I would recognise it in an instance when walking upon it.

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Thursday, December 07, 2006

Reference photo and watercolour painting

I have great respect for artist that chooses to create artworks how they want rather than what the purest think how it should be done. Maybe even the old masters would have been more forward with how they approached their creative work if it wasn’t for this disapproving sector of the art world.

Well I for one do paint from reference photos and want to share some of my personal ideas with you.

When developing a painting from a reference photo, aim for it to be a piece of artwork that comes from you rather than just a copy of an image. In other words be creative with what you do. In saying this though you may need to consider what a client wants, then decide if you want to go ahead with the painting if they expect a "copy" of the photo.

My observations of painting from a reference image may help those that prefer to work this way. If you have any ideas that can be of help please add them to the comments section of this topic.

  • Gain experience from Plein-air painting and learn to draw. It will give you a much better understanding of how to handle the reference photo.
  • Best if painting from own reference photo.
  • Never use a photo that has copyright.
  • Do a sketch from the photo taking note if perspective needs to be fixed, as often point and shoot cameras do distort an image. This is why you need to have some drawing experience.
  • Take note of colours when capturing the photo, as often the reference image will be different. There is no reason why you also can't be creative with colour.
  • Be aware shadows have a lot of varied colour throughout them, not a dark area of black or blue as often is the case in photos.
  • Painting from a well calibrated computer monitor is often a better experience to paint from than a printed off photo.
  • Same as Plein-air, leave out unnecessary detail.
  • Move, remove, shrink, make taller or even add a tree in a landscape to improve the overall design. Trees are not the only items to consider, as there are many changes that can be made.
  • Take many photos of the area to help remind you what it was about the scene that inspired you in the first place to create a piece of artwork. This is where digital photos are good, as there are no unnecessary developing costs if you make use of a computer monitor.
  • Don’t just copy, have fun and be creative.

Those artist that use reference images, we are in good company.

Some of the old masters that used reference photos are:
  • Edgar Degas
  • Paul Cezanne
  • Paul Gauguin
  • Vincent Van Gosh
  • Toulouse Lautrec

There maybe more and would be interested to know who they are?

Yesterdays post I said that I would post a photo and a watercolour painting from that reference material. I had a lot of fun playing around with my paints in the comfort of my studio when I painted this one.


Sold



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Friday, April 28, 2006

Port Broughton Beach - Watercolour

Ok I think this is now finished unless a tweak here or there is decided on.

Size: 280 x 400 mm
Paper: Arches, medium 300gsm, 100% cotton

Wednesday, April 05, 2006

Wilpena Pound Creek

I love painting the area around Wilpena Pound of the Central Flinders Ranges. I thought it was time to try my hand at a more serious painting with watercolours. I am reasonably happy with it though of cause there is always and will be room for learning. I hope this never stops or boredom will soon set in for me.

Size: 38 x 28 centimeters (unframed)
Paper: Arches 640 gsm rough.

Click image below for a larger view.

Friday, March 17, 2006

Red Wine Please!

I have never painted glass before let alone paint with a difficult medium such as watercolour. For a first effort I was rather pleased. Perhaps the wine itself has me seeing the painting better than it really is.....wink!

Thursday, March 16, 2006

Eggs

Easter isn’t all that far away now, which is made more obvious with the retailers colourful displays of chocolate delights on the shelves. I remember as a child painting boiled eggs at this time of the year for Easter.

Rather than painting the actual egg, I decided to paint the eggs on paper. I hope you like my sample here though they are without the Easter trimmings.

Wednesday, March 15, 2006

Zucchini in watercolour

Zucchinis are growing well in my garden so thought why not paint this very versatile vegetable.

Monday, March 06, 2006

Little Landscape

This is a view looking east from where I live. The shadows racing across the paddock has often fascinated me, especially when breaking through cloud if the sky is putting on a good show as well.

Once more this painting is a postcard size using watercolour medium.

Saturday, March 04, 2006

Pretty as a Flower

This little watercolour painting is about the size of a postcard. Having little experience with this medium I did want to push my limits so that I would learn more about how the layers of colours would work. I don’t mind saying I was way out of my depth with this though reasonably happy with the way the background turned out.

Wednesday, March 01, 2006

Teaspoon using Watercolour

Still trying to get my head around watercolours. I really must be more cautious and save more white of the paper for the highlight and sparkle of objects. It is fun learning and will continue on down the road of gaining new knowledge of handling this medium.

Thursday, February 16, 2006

Apple painting exercise

Apples are often a good painting exercise and as our own fruit is starting to ripen, I thought I would give it a go with my watercolours.

Size: approximately 11 x 14 centimeters (unframed)

Wednesday, February 15, 2006

Old Gate

The most difficult thing I have found with watercolour is working from light to dark as my head wants to do it the other way around which is usually opposite to oil and pastel.

This one I spent about three hours on yesterday and decided to share it with you.

Size: 38 x 28 centimeters (unframed)
Paper: Arches 640 gsm rough.
Paint: Permanent Rose, Burnt Sienna, Raw Sienna, Cobalt Blue, Ultramarine Blue, Viridian, & Cad Red.

Monday, February 13, 2006

Graham W Smith Watercolour Workshop

I attended a watercolour workshop on the 11 and 12 of this month at the Peterborough Regional Art Centre. The photo is of Graham W Smith applying colour in the first stage of his painting.



More information can be found at my website at Out & About